Pink Cloud Syndrome (2025)




Plywood Sculpture, 200cm x 100cm x 75cm


This project has been catalysed by the transformative journey of early sobriety through my lived experience, offering a candid reflection on its emotional intensity and ongoing challenges. Central to my journey is a phenomenon known in recovery as Pink Cloud Syndrome: a phase of euphoria and optimism that can arise during recovery from alcohol and substance abuse. The work navigates the tension between the idealism and hopefulness of approaching the world through healthier behaviours and the grounded realities of life without alcohol, charting a process of self-discovery explored through artistic practice.

The work comprises a series of plywood slot-sculpture forms onto which photo vinyl is adhered. The use of computer-generated imagery in the design reveals the idealised, fantastical qualities of Pink Cloud Syndrome, intentionally highlighting the surreal nature of this psychological state. The structure is designed for use by the viewers and, as such, is both durable and functional. It invites engagement by creating a space for reflection and rest. Inspired by furniture design such as Victorian ‘conversational’ chairs, the work aims to provide a context in which intimate dialogue may take place. Around these objects is a curated library of books that explore experiences of recovery. The work serves as a stage to encourage viewers to engage with literature on the subject and to reflect on ideas of self-care, healing and connection.

Designed as a flat-pack piece, the work is intended to be low-cost, transportable and adaptable to multiple contexts.  In this way, it critiques contemporary wellness culture by being accessible in public and free spaces – settings where access to mental health and recovery tools is often limited and perceived as the preserve of the wealthy. Furthermore, its mobility enables it to be embedded in different social settings, encouraging open discussion around topics that are often considered shameful or taboo. This allows the work to be experienced in a range of environments, expanding its reach and impact.  

In this sense, the project is situated within a broader cultural conversation around addiction, recovery, and mental health. It offers a quiet, compassionate space for viewers to reflect on their perceptions, challenging stigma while holding space for hope, openness and gratitude. In doing so, it aims to foster connection – not only between the viewer and the artwork but also between individuals, navigating their own paths.